Institute for High Performance Sound Technologies for Access and Scholarship (HiPSTAS)
FAIN: HT-50069-12
University of Texas at Austin (Austin, TX 78712-0100)
Tanya E. Clement (Project Director: March 2012 to June 2016)
A four-day institute at the University of Texas, Austin, with a follow-up workshop for humanities scholars, librarians, archivists, and advanced graduate students on the use of analytical tools to study digital audio collections of spoken word, such as oral histories, poetry, and Native American oral traditions.
We are applying for an Institutes for Advanced Technologies in the Digital Humanities grant from the NEH to support bringing together librarians and archivists, humanities scholars and students, and computer scientists and technologists invested in understanding and developing infrastructure for computational analysis on poetry, folklore, speeches, and storytelling sound files. The School of Information at the University of Texas at Austin and the Informatics Institute at the University of Illinois at Urbana-Champaign propose to host the High Performance Sound Technologies for Access and Scholarship (HiPSTAS) Institute to include meetings in May 2013 and in May 2014. In the interim year, scholars will work on scholarship in consultation with the HiPSTAS team. The second meeting is a symposium on the scholarship produced through the year as well as a meeting to propose recommendations for the development of tools for supporting advanced digital scholarly inquiry in spoken text sound.
Media Coverage
Scholars Collaborate to Make Sound Recordings More Accessible (Media Coverage)
Author(s): Danya Perez-Hernandez
Publication: Chronicle of Higher Education
Date: 3/26/2014
URL: http://chronicle.com/blogs/wiredcampus/scholars-collaborate-to-make-sound-recordings-more-accessible/51215
The Ear and the Shunting Yard: Meaning Making as Resonance in Early Information Theory. (Media Coverage)
Author(s): Clement, Tanya
Publication: Information & Culture 49.4 (2014): 401-426.
Date: 4/1/2014
Introducing High Performance Sound Technologies for Access and Scholarship. (Media Coverage)
Author(s): Clement, Tanya
Publication: The International Association of Sound and Audiovisual Archives Journal
Date: 9/1/2014
High Performance Sound Technologies for Access and Scholarship (HiPSTAS) in the Digital Humanities (Media Coverage)
Author(s): Clement*, T., Tcheng, D., Auvil, L., and Borries, T.
Publication: Proceedings of the 77th Annual ASIST Conference
Date: 10/31/2014
HiPSTAS: An Institute Advancing Tools for Analyzing Digital Audio Collections, (Media Coverage)
Author(s): Clement, T. and Roy, L.
Publication: American Indian Library Association Newsletter
Date: 12/1/2013
Anti-ordination in the visualization of the poem's sound (Media Coverage)
Author(s): Filreis, Al
Publication: Jacket2
Date: 2/27/2014
URL: http://jacket2.org/commentary/anti-finality-visualization-poems-sound
The noise is the content: Toward computationally determining the provenance of poetry recordings using ARLO (Media Coverage)
Author(s): Mustazza, Chris
Publication: Jacket2
Date: 1/10/2015
URL: https://jacket2.org/commentary/noise-content-toward-computationally-determining-provenance-poetry-recordings
Distanced sounding: ARLO as a tool for the analysis and visualization of versioning phenomena within poetry audio (Media Coverage)
Author(s):
Publication: Jacket2
Date: 5/2/2015
URL: https://jacket2.org/commentary/distanced-sounding-arlo-tool-analysis-and-visualization-versioning-phenomena-within-poetr
Hearing the Audience (Media Coverage)
Author(s): Rettberg, Eric
Publication: Jacket2
Date: 3/26/2015
URL: http://jacket2.org/commentary/hearing-audience