Search Criteria

 






Key Word Search by:
All of these words









Organization Type


State or Jurisdiction


Congressional District





help

Division or Office
help

Grants to:


Date Range Start


Date Range End


  • Special Searches




    Product Type


    Media Coverage Type








 


Search Results

Grant number like: FA-52901-07

Permalink for this Search

1
Page size:
 1 items in 1 pages
Award Number Grant ProgramAward RecipientProject TitleAward PeriodApproved Award Total
1
Page size:
 1 items in 1 pages
FA-52901-07Research Programs: Fellowships for University TeachersArthur Carl HolmbergAmerican Shakespeares9/1/2007 - 5/31/2008$40,000.00ArthurCarlHolmberg   Brandeis UniversityWalthamMA02453-2728USA2006Theater History and CriticismFellowships for University TeachersResearch Programs400000400000

Shakespeare wrote his plays for the stage. No evidence suggests he was interested in publishing them to be read. Consequently, a theoretically informed analysis of major productions would shed light on his theatrical cognition as well as document an important chapter in American theater history. Playwrights do not think primarily in words. Words on the stage interact with many other semiotic codes. Productions enable us to study this interaction. Examining the rush of sensations that all these codes press upon us in the theater helps us measure Shakespeare’s creative range. Looking closely at productions and the theoretical questions they raise is the royal road to the magic kingdom of Shakespeare’s imagination.