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I plan to write a book that develops a new, constructive form of critique in anthropology, encouraging a richer understanding of the ethnographic endeavor than current critiques presume. I do this by discussing the well-studied case of Margaret Mead's ethnography of New Guinea's Mountain Arapesh. Drawing on prior archival and field research, I reconstruct the story of Mead's Arapesh fieldwork and situate her ethnography within the multiple relevant historical contexts of Arapesh-colonial relations, American feminism, and Mead's tempestuous personal relationships. I argue that, although Mead's Arapesh ethnography is in many ways flawed, it has great enduring value and illustrates the multidimensional nature of ethnography.