Valentin Silvestrov and the Echoes of Music History (Article)
Title: Valentin Silvestrov and the Echoes of Music History
Author: Peter Schmelz
Abstract: In 1980 Soviet Ukrainian composer Valentin Silvestrov began a series of ‘‘postludes,’’ a genre representing, in his words, a ‘‘collecting of echoes, a form opening not to the end, as is more usual, but to the beginning.’’ This article examines Silvestrov’s Symphony no. 5 (1980– 82), and the theory, practice, and reception of his evolving ‘‘post’’ style. The symphony represents a unique congruence of modernism and postmodernism, nostalgia and continuity, expressed at the end of the Soviet Union, the end of the twentieth century, and what many believed to be the end of history. Completed near the conclusion of the Brezhnev period of stagnation, the symphony was intended to assuage the public’s acute dissatisfaction with life in the USSR. Yet when it was first heard in the mid-1980s, it offered a comforting familiarity amid the bewildering acceleration of perestroika. Examining Silvestrov’s ‘‘post’’ style requires considering the sociocultural impact of his sense of ending by treating his eschatology as a useful fiction that illuminates the conflicting sensations of stasis and acceleration during the last decades of the USSR. This article draws on interviews with Silvestrov and his close associates, as well as the Silvestrov Collection at the Paul Sacher Stiftung.
Year: 2014
Primary URL: http://jm.ucpress.edu/content/31/2/231
Primary URL Description: Journal of Musicology website
Access Model: Subscription
Format: Journal
Periodical Title: Journal of Musicology
Publisher: University of California Press

Sonic Overload: Alfred Schnittke, Valentin Silvestrov, and Polystylism in the Late USSR (Book)
Title: Sonic Overload: Alfred Schnittke, Valentin Silvestrov, and Polystylism in the Late USSR
Author: Schmelz, Peter J.
Abstract: Sonic Overload offers a new, music-centered cultural history of the late Soviet Union. It focuses on polystylism in music as a response to the information overload swamping listeners in the Soviet Union during its final decades. It traces the ways in which leading composers Alfred Schnittke and Valentin Silvestrov initially embraced popular sources before ultimately rejecting them. Polystylism first responded to the utopian impulses of Soviet ideology with utopian impulses to encompass all musical styles, from "high" to "low". But these initial all-embracing aspirations were soon followed by retreats to alternate utopias founded on carefully selecting satisfactory borrowings, as familiar hierarchies of culture, taste, and class reasserted themselves. Looking at polystylism in the late USSR tells us about past and present, near and far, as it probes the musical roots of the overloaded, distracted present. Based on archival research, oral historical interviews, and other overlooked primary materials, as well as close listening and thorough examination of scores and recordings, Sonic Overload presents a multilayered and comprehensive portrait of late-Soviet polystylism and cultural life, and of the music of Silvestrov and Schnittke. Sonic Overload is intended for musicologists and Soviet, Russian, and Ukrainian specialists in history, the arts, film, and literature, as well as readers interested in twentieth- and twenty-first century music; modernism and postmodernism; quotation and collage; the intersections of "high" and "low" cultures; and politics and the arts.
Year: 2021
Primary URL: http://https://www.worldcat.org/title/sonic-overload-alfred-schnittke-valentin-silvestrov-and-polystylism-in-the-late-ussr/oclc/1227392364&referer=brief_results
Primary URL Description: worldcat.org
Publisher: Oxford University Press
Type: Single author monograph
ISBN: 9780197541258
Copy sent to NEH?: Yes

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