Program

Digital Humanities: Fellowships Open Book Program

Period of Performance

8/1/2022 - 7/31/2023

Funding Totals

$5,500.00 (approved)
$5,500.00 (awarded)


Bright Signals: A History of Color Television

FAIN: DR-288243-22

Duke University (Durham, NC 27705-4677)
Dean J. Smith (Project Director: March 2022 to January 2025)

First demonstrated in 1928, color television remained little more than a novelty for decades as the industry struggled with the considerable technical, regulatory, commercial, and cultural complications posed by the medium. Only fully adopted by all three networks in the 1960s, color television was imagined as a new way of seeing that was distinct from both monochrome television and other forms of color media. It also inspired compelling popular, scientific, and industry conversations about the use and meaning of color and its effects on emotions, vision, and desire. In Bright Signals Susan Murray traces these wide-ranging debates within and beyond the television industry, positioning the story of color television, which was replete with false starts, failure, and ingenuity, as central to the broader history of twentieth-century visual culture.





Associated Products

Single Publication (Open Access eBook or Collection)
Publication Type: Single Publication
Title: Bright Signals: A History of Color Television
Year: 2018
ISBN: 9780822371700
Publisher: Duke University Press
Author: Susan Murray
Abstract: First demonstrated in 1928, color television remained little more than a novelty for decades as the industry struggled with the considerable technical, regulatory, commercial, and cultural complications posed by the medium. Only fully adopted by all three networks in the 1960s, color television was imagined as a new way of seeing that was distinct from both monochrome television and other forms of color media. It also inspired compelling popular, scientific, and industry conversations about the use and meaning of color and its effects on emotions, vision, and desire. In Bright Signals Susan Murray traces these wide-ranging debates within and beyond the television industry, positioning the story of color television, which was replete with false starts, failure, and ingenuity, as central to the broader history of twentieth-century visual culture. In so doing, she shows how color television disrupted and reframed the very idea of television while it simultaneously revealed the tensions about technology's relationship to consumerism, human sight, and the natural world.
Primary URL: https://read.dukeupress.edu/books/book/2465/Bright-SignalsA-History-of-Color-Television
Primary URL Description: Duke University Press
Secondary URL: https://muse.jhu.edu/pub/4/oa_monograph/book/70979
Secondary URL Description: Project Muse
URL 3: https://www.jstor.org/stable/j.ctv11cw63m
URL 3 Description: JSTOR
Type: Single author monograph