Program

Research Programs: Summer Stipends

Period of Performance

6/1/2022 - 7/31/2022

Funding Totals

$6,000.00 (approved)
$6,000.00 (awarded)


Interface Design and Digital Exclusion

FAIN: FT-286107-22

Neta Alexander
Colgate University (Hamilton, NY 13346-1338)

Research for a book on the history of, and assumptions behind, user access to digital infrastructure and interface design.

My second book, Interface Frictions, studies the effects of unreliable digital infrastructure and flawed interface design. Centering on the experiences of differently-abled users, it advances a new theory of the digital user. It focuses on four newly ubiquitous design features and the type of media consumption each one produces: refreshing and buffering, playback speed and speed-watching, autoplay and binge-watching, and Night Shift and soporific media. These features are growing ever more pervasive yet remain understudied, as scholars and users tend to ignore the ways that digital design shapes temporality, storytelling, and immersion. Interface Frictions fills this lacuna by revealing how the interfaces through which users interact with stories, information, and each other often perpetuate the assumption that every user is able bodied. By studying inequalities of access to media, this work contributes to the growing scholarship on the exclusionary potential of emerging technologies.





Associated Products

Scores: Carolyn Lazard's Crip Minimalism (Article)
Title: Scores: Carolyn Lazard's Crip Minimalism
Author: Mara Mills and Neta Alexander
Abstract: A prominent voice in the New Disability Arts movement, Carolyn Lazard is a multidisciplinary artist rethinking captioning and other access techniques as tools for composition. Reading several of Lazard’s works and collaborations, this essay theorizes the style of captions that functions as “scores”—open-ended scripts inviting audience members to activate the work, their bodies, and each other. As performance scores, these captions instruct or otherwise engage with readers/audiences, requesting their participation in the art making process. Lazard’s use of “scores” in works such as A Recipe for Disaster (2018), CRIP TIME (2018), and Notes from a Panorama (2021) carefully centers Black and brown, chronically ill, and other marginalized communities. As such, it uncovers the repetitive care labor of spectatorship as a form of survival.
Year: 2023
Format: Journal
Periodical Title: Film Quarterly
Publisher: Film Quarterly