Program

Preservation and Access: Preservation Assistance Grants

Period of Performance

1/1/2010 - 6/30/2011

Funding Totals

$5,978.00 (approved)
$5,978.00 (awarded)


Creating a Preservation Plan for Oil Paintings in the NLCHS Collection

FAIN: PG-50928-10

New London County Historical Society, Inc. (New London, CT 06320-5677)
Edward D. Baker (Project Director: May 2009 to October 2011)

A conservation assessment of 55 oil paintings, including six works by Ralph Earl painted in 1792 for the Shaw family. The paintings are used for thematic educational tours of the Shaw Mansion and complement the historical society's collection of resources on colonial-era Caribbean trade, Revolutionary War privateering, the growth of whaling and sealing from New London, as well as family genealogies and local history.

The New London County Historical Society requests funding to hire consultants to conduct a detailed survey of the approximately 55 oil paintings in the New London County Historical Society collection. The consultants will write a document describing the condition of each painting, including the approximate cost of any treatment needed, and will prioritize the paintings in categories depending on the degree of urgency of treatment needed. Also included will be a written report describing general observations about the storage and care of the paintings collection. The consultants will provide training to staff of the historical society in replacing nails with mending plates and screws, applying backing boards, and installing proper hanging devices to those paintings that do not have them.





Associated Products

Report of Examination of Paintings at New London County Historical Society (Report)
Title: Report of Examination of Paintings at New London County Historical Society
Author: Gay Myers
Author: Lance Mayer
Author: Lance Mayer and Gay Myers
Abstract: On March 22-23, 2010, Lance Mayer and Gay Myers conducted a survey of the collection of paintings at the New London County Historical Society. They examined and wrote a separate report for every oil painting, including recommendations for conservation treatment and a prioritization of the conservation needs of each painting. Also included were estimates of the costs of treatments, valid for the year of the examinations. The principal work of the project has been providing the individual examination reports for each painting. However, the report also included brief generalizations about the condition of the collection as a whole and recommendations for storage and display.
Date: 2010/04/30