A Critical Edition of the Works of American Composers George Gershwin (1898–1937) and Ira Gershwin (1896–1983)

FAIN: RQ-286922-22

Regents of the University of Michigan (Ann Arbor, MI 48109-1382)
Andrew S. Kohler (Project Director: November 2021 to September 2022)
Andrew S. Kohler (Project Director: September 2022 to March 2023)
Mark Allan Clague (Project Director: March 2023 to present)
Andrew S. Kohler (Co Project Director: March 2023 to present)

Preparation of a critical edition and performance scores of An American in Paris and Porgy and Bess by George (1898-1937) and Ira Gershwin (1896-1983), and to commence work on nine other musicals that include Cuban Overture, I Got Rhythm Variations, Primrose, and Blue Monday, among others. (36 months)  

While the works of George and Ira Gershwin are readily accessible in non-scholarly imprints and recordings, they too often circulates in inconsistent and inaccurate versions. Until our project, even such landmark musical scores as Rhapsody in Blue, An American in Paris, and Porgy and Bess suffered from substandard editions that misrepresented the Gershwins’ artistic vision. The George and Ira Gershwin Critical Edition provides scholarly yet practical editions to restore the brothers' intentions. We also have a public educational program, with three primary goals: 1. To inform the public of the GCE’s research and performance activities through its website, blogs, and informational videos. 2. To provide scholars and performers with each volume’s critical reports, as well as with associated forums through which they can discuss the Initiative’s research. 3. To mentor U-M students in writing and research, particular through editorial work as assistants and through the Initiative’s blog.