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Participant name: Margaret Malamud

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Award Number Grant ProgramAward RecipientProject TitleAward PeriodApproved Award Total
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ED-22363-02Education Programs: Education Development and DemonstrationNew Mexico State UniversityUnderstanding Islam: Infusing Islamic Studies into the undergraduate Humanities Curriculum1/1/2003 - 6/30/2005$24,944.00MargaretIreneMalamud   New Mexico State UniversityLas CrucesNM88003-8002USA2002Interdisciplinary Studies, GeneralEducation Development and DemonstrationEducation Programs249440249440

A series of faculty and curriculum development workshops led by distinguished scholars of Islamic Studies.

FB-35709-99Research Programs: Fellowships for College Teachers and Independent ScholarsMargaret Irene MalamudAmerica's Romes: The Legacy of Ancient Rome in American Popular Culture1/1/1999 - 12/31/1999$30,000.00MargaretIreneMalamud   New Mexico State UniversityLas CrucesNM88003-8002USA1999ClassicsFellowships for College Teachers and Independent ScholarsResearch Programs30000029716.540

No project description available

HR-50032-04Research Programs: Faculty Research AwardsMargaret Irene MalamudThe Uses and the Abuses of Roman Antiquity in American Culture6/1/2005 - 5/31/2006$40,000.00MargaretIreneMalamud   New Mexico State UniversityLas CrucesNM88003-8002USA2003ClassicsFaculty Research AwardsResearch Programs400000400000

My proposed book investigates the utility and mutability of images of classical Rome for American attitudes and culture from the revolutionary era to the present; in it I will analyze how the legacy of Rome has been rediscovered and appropriated by diverse groups through different eras in American history. Most studies of the reception of Rome in American culture have focused on its uses in the domain of political theory and "high" culture, but my work analyzes how and why references to classical Rome have taken popular and commercial shape. The key questions I address are: when, how, and by whom have the cultural resonances of Roman antiquity been manipulated and exploited? What images of classical Rome they used and for what purpose? I am particularly interested in the ways in which representations of Rome have responded to a diversity of voices in the construction of America's metaphorical relationship to Rome and indeed for articulating and questioning America's own political and cultural identities.

HR-50534-10Research Programs: Faculty Research AwardsMargaret Irene MalamudBlack Minerva: African Americans and the Classics7/1/2011 - 6/30/2013$50,400.00MargaretIreneMalamud   New Mexico State UniversityLas CrucesNM88003-8002USA2009History, GeneralFaculty Research AwardsResearch Programs504000504000

With a twelve-month grant from the NEH, I will complete the research for and produce a draft of Black Minerva: African Americans and Classical Culture, a book that will explore how African Americans mobilized knowledge of classical texts and antiquity in their fight for liberty and equality. Throughout the 19th century African Americans legitimated and contested their political and cultural identities through selective references to the civilizations of the ancient Mediterranean. References to antiquity were abundant but not stable: their meanings shifted in accordance with the ideological and political concerns of their producers. African Americans appropriated classic--most especially, for debates, explicit and implicit, about politics and culture.